Writing

My writing has been nominated for a Pushcart Prize, Best of the Net, and Best New Poets, and received support from Tin House and the Greater Columbus Arts Council.

I was named a 2026 Finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.

Poetry

Letter to a volunteer after the election

Letter to my lover as the poet Aaron Kurtz



Shabbat with my lover the poet Dovid Edelshtot

like a field, Spring 2025

swamp pink no. 15, November 2024, “Mating Pairs” nominated for a Pushcart Prize

fugue, 2024, finalist for the 2024 Fugue Poetry Prize, selected by Divya Victor

Puerto del Sol

Copper Nickel

LEON Literary Review

Action, Spectacle, August 2024

14 Poems, issue 14, August 2024

MAYDAY, June 2024

Terrain.org, June 2024

Ghost City Review, February 2024

Cuyahoga Valley National Park Poetic Inventory, anthologized in Light Enters the Grove: Exploring Cuyahoga Valley National Park through Poetry

Seventh Wave Magazine, Summer 2023, Nominated for Best of the Net

Prose

Cleveland Review of Books, May 2024

The Journal 45.2

Awards and Honors

2026 Finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation

2025 Poetry Project Lisa Brannan Prize Finalist, selected by Laura Henriksen

Winner of the 2024 Citino Poetry Award, selected by Genevieve Betts


Honorable Mention for the 2024 Academy of American Poets Award (Arthur Rense Prize), selected by Jacqueline Allen Trimble


Shortlist for the 2024 Disquiet Prize for Poetry



Honorable Mention for the Fugue 2024 Poetry Prize, selected by Divya Victor


2023-2024 Abolition and Freedom Dreams Fellowship

Winner of the 2024 George and Emily Severinghaus Beck Scholarship for Yiddish Study


“This poet utilizes specific details that evoke the five senses (e.g. “the smell of singed hair,” “the wig, coifed and styled, cups my ears like the stiff / bodies of crabs,” etc.), imagery that adds texture (e.g. “press-ons in my eyelets,” “Ima sliced through her braid with a silver challah / knife,” etc.), and a kind of lyrical narrative that creates cohesion between all of these poems (familial stories, imagined scenes, cultural traditions, etc.). I also find that the use of form—couplets and columns for domestic poems, lines spaced across the page for the John Donne poems, and the almost double-column stanzas of the definition poems—shows a deep understanding of how a poem’s form should match the content. “


“[the] poems exist as comfortably in realism as in the abstract, constructing symphonic recitations and beating composed, fearless rhythms. This work demands rapt, close reading as it deconstructs and re-constructs meaning, word by word, image by image.”