Writing
My writing has been nominated for a Pushcart Prize, Best of the Net, and Best New Poets, and received support from Tin House and the Greater Columbus Arts Council.
I was named a 2026 Finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.
Poetry
Letter to a volunteer after the election
Letter to my lover as the poet Aaron Kurtz
Shabbat with my lover the poet Dovid Edelshtot
like a field, Spring 2025
swamp pink no. 15, November 2024, “Mating Pairs” nominated for a Pushcart Prize
fugue, 2024, finalist for the 2024 Fugue Poetry Prize, selected by Divya Victor
Puerto del Sol
Copper Nickel
LEON Literary Review
Action, Spectacle, August 2024
14 Poems, issue 14, August 2024
MAYDAY, June 2024
Terrain.org, June 2024
Ghost City Review, February 2024
Cuyahoga Valley National Park Poetic Inventory, anthologized in Light Enters the Grove: Exploring Cuyahoga Valley National Park through Poetry
Seventh Wave Magazine, Summer 2023, Nominated for Best of the Net
Prose
Cleveland Review of Books, May 2024
The Journal 45.2
Awards and Honors
2026 Finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation
2025 Poetry Project Lisa Brannan Prize Finalist, selected by Laura Henriksen
Winner of the 2024 Citino Poetry Award, selected by Genevieve Betts
Honorable Mention for the 2024 Academy of American Poets Award (Arthur Rense Prize), selected by Jacqueline Allen Trimble
Shortlist for the 2024 Disquiet Prize for Poetry
Honorable Mention for the Fugue 2024 Poetry Prize, selected by Divya Victor
2023-2024 Abolition and Freedom Dreams Fellowship
Winner of the 2024 George and Emily Severinghaus Beck Scholarship for Yiddish Study
“This poet utilizes specific details that evoke the five senses (e.g. “the smell of singed hair,” “the wig, coifed and styled, cups my ears like the stiff / bodies of crabs,” etc.), imagery that adds texture (e.g. “press-ons in my eyelets,” “Ima sliced through her braid with a silver challah / knife,” etc.), and a kind of lyrical narrative that creates cohesion between all of these poems (familial stories, imagined scenes, cultural traditions, etc.). I also find that the use of form—couplets and columns for domestic poems, lines spaced across the page for the John Donne poems, and the almost double-column stanzas of the definition poems—shows a deep understanding of how a poem’s form should match the content. “
“[the] poems exist as comfortably in realism as in the abstract, constructing symphonic recitations and beating composed, fearless rhythms. This work demands rapt, close reading as it deconstructs and re-constructs meaning, word by word, image by image.”